![]() I have been told numerous different suggestions and wonder if anyone can clarify or suggest a best practice. I presume this is wrong, and potentially damaging so I stopped. A line out straight from the 8i6 into the front of the amp sounds terrible (high pitched noises and almost like a reverb when I play, just bad). I can't get past this stage though with the gear I have. The amp is just there as a guide so I can hear hat I'm playing. I don't want to record the sound from the amp, only the dry signal from the guitar. ![]() I will reamp the dry signal later (and mic it). What I'd really like to do though is record a dry signal (as above) but also to be able to hear what I'm playing at the same time through my amp. Not sure about clipping or any of this other stuff, it sounds ok to me so might not be happening, I did put the gain right down on the interface though. I have also recorded a dry signal with my guitar straight into the interface (EMG 81/85 combination). I have successfully recorded (using reaper and win7) and few tracks (in a single project) with the amp+cab mic'd up with the SM57 and it sounds pretty awesome, never having done any recordings before. However, I've hit a roadblock on what gear I actually require to make this possible. If you had a larger interface with say 4 outputs it would be a bit easier.Įdit: Make sure you are not sending the recorded reamped signal out again from the interface (panning it to the same side for playback as the reamp out) else you will have like an infinite loop and you will die a horrible feedbacky death.I have bought an 8i6 because I want to record some stuff on the PC. This requires a bit more f''ing around in your daw as you then need to set up an output for the headphones and one for your mains (which is what we will use to reamp the signal) ![]() If you happen to also have a headphone jack on the UR22 and have a good set of headphones you can also use that for listening to the reamped signal. Then you should be able to playback the DI, though say the R output and run that through the helix and all that while being able to hear the sound of the reamped signal through your entire chain through the L output where you have a speaker hooked up or something. Pan this track to the other side of your DI and then have a monitor connected to the same output that you are panning your reamp recording track to. Then in your DAW you are gonna make a new track and arm it for recording. ![]() Then playing back the DI should make sound come through your helix - maybe check the helix output with some headphones just to make sure everything is working at this point. In your DAW you want to then SOLO the DI track and pan it so that it goes to either the L or R main output (whichever you connected to the reamp box). It is a bit hard to reamp with an interface that only has two outputs - but it is duable. If you have cables to do both methods then try both and see what sounds the best. Then you want to take either the L or R output from your UR22 interface and connect that to either the signal in or the XLR input - depending on which types of cable you have and how the outputs are on the UR22. Not entirely sure what the difference between the signal in and the xlr input is, but first off you wanna connect the 'out' of the jcr reamp cable going to the 'guitar in' on the helix.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |